The creative maker processes his aesthetics through the objects he creates. Artworks become a visual manifestation of the artist's perspectives. Patrons complete the cycle...maker /object / patron...appreciating the inherent message in the work.
While teaching ceramics, I discovered an affinity for small forms that express an eastern (Zen) philosophy. Robert Yellin puts it concisely discussing Japanese tea bowls. We must "...understand their "spirit," in which simplicity is depth and intelligence, asymmetry is beauty, and cracks and "flaws" are attractive."
This approach relates to naturalism in western art where the purpose is to reflect the imperfection of our real existence rather than the ideal. The work of the sculptor Peter Voulkos is a good example.
These thoughts came to mind as I considered my choice of a treasured work by another artist. I have a small glass vessel created by a friend from graduate school who was one of the most unpretentious and down-to-earth people I've ever known. One day, as I watched him working in his glass studio, he invited me to choose a piece for myself. After careful deliberation over many fascinating shapes, sizes, and colors, I settled on the modest form you see here. It's one of his earliest and smallest works.
Some might say it has "soul". It has a colorful warmth that flows freely without seeming contrived. The form slouches, expressive of a naturalism I admire. It looks comfortable and relaxed, much like its creator, accepting of the imperfection in life. This small treasure had a lot to teach me. I keep it close to remember.
For more about glass-blowing you might enjoy the work of a consummate master, Dale Chihuly.
Read about artworks cherished by other Handmade Division members:
Andes Cruz, Jewelry by Natsuko, Abhaya Fibers,
kerin rose, Sand Fibers, Purified Art,
Tamra Gentry, Tosca, Rickson, Beth Cyr,
Ceeb Wassermann, Susan Moloney, WATTO.